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Title	George Goldner
Subjects	Drawing--15th century Drawing--16th century Drawing--17th century Drawing--18th century Drawing, Italian Metropolitan Museum of Art (New York, N.Y.). Dept. of Drawings and Prints Michelangelo Buonarroti, 1475-1564 Tiepolo, Giovanni Battista, 1696-1770 Lorenzo, Monaco, 1370 or 71-1425 Stefano, da Verona, 1375-ca. 1438 Galleria degli Uffizi Leonardo, da Vinci, 1452-1519 Perugino, ca. 1450-1523 Raphael, 1483-1520 Raimondi, Marcantonio, ca. 1480-ca. 1534 Sarto, Andrea del, 1486-1530 Salviati, Francesco, 1510-1563 Pontormo, Jacopo da, 1494-1556 Bronzino, Agnolo, 1503-1572 Macchietti, Girolamo, 1535-1592 Ligozzi, Jacopo, 1547-1626 Titian, ca. 1488-1576 Campagnola, Domenico, ca. 1500-1564 Lotto, Lorenzo, 1480?-1556? Carracci, Agostino, 1557-1602 Parmigianino, 1503-1540 Tanzio, da Varallo, ca. 1575-ca. 1635 Domenichino, 1581-1641 San Luigi dei Francesi (Church : Rome, Italy) Algardi, Alessandro, 1598-1654
Description	Summary: George Goldner, Chairman of the Department of Drawings and Prints at the Metropolitan Museum of Art, speaks at the Clark about Italian drawings acquired by the Metropolitan during his tenure there. Contents: George Goldner presentation (ca. 49 mins.) George Goldner Presentation (Slides) 1. Michelangelo’s “Studies for the Libyan Sibyl” and Giovanni Battista Tiepolo’s “Seated River God, Nymph with an Oar, and Putto.” -- 2. Lorenzo Monaco’s "Christ and the Apostles Entering the Temple in Jerusalem in an Initial D" and an unidentified illuminated manuscript. -- 3. Stefano da Verona’s “Three Standing Figures (recto)” and “Seated Woman and a Male Hermit in Half-Length (verso).” -- 4. unidentified Stefano da Verona drawing in the Galleria degli Uffizi and da Verona’s “Figure of Charity.” -- 5. Leonardo Da Vinci’s “Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto)” and “Study or Hercules Holding a Club Seen in Rear View (verso).” -- 6. Leonardo Da Vinci’s “Study or Hercules Holding a Club Seen in Rear View (verso)” and “Hercules and the Nemean Lion. After Michelangelo, David.” -- 7. Perugino’s “Landscape (recto and verso).” -- 8. Perugino’s “Landscape (recto)” and “The Vision of St. Bernard.” -- 9. Perugino’s “Landscape (recto)” and “The Vision of St. Bernard (detail).” -- 10. Raphael’s “Lucretia” and Marcantonio Raimondi’s “Lucretia.” -- 11. Raphael’s “Three Studies for the Christ Child” and “Holy Family with the Infant Saint John” by the Raphael workshop. -- 12. Andrea del Sarto’s “Studies of a Child’s Head and a Hand” and a fresco from the Basilica della Santissima Annunziata di Firenze -- 13. Andrea del Sarto’s “Studies of a Child’s Head and a Hand” and a fresco from the Basilica della Santissima Annunziata di Firenze (detail). -- 14. Andrea del Sarto’s “Study for the Head of Julius Caesar” and a fresco from the Villa Medici, Poggio a Caiano, Italy. -- 15. Andrea del Sarto’s “Study for the Head of Julius Caesar” and a fresco from the Villa Medici, Poggio a Caiano, Italy) (detail). -- 16. Francesco Salviati’s “Saint John the Evangelist” and a fresco in the Cappella del Palio of Cardinal Alessandro Farnese in the Palazzo della Cancelleria. -- 17. Francesco Salviati’s “Saint Mark” and a fresco in the Cappella del Palio of Cardinal Alessandro Farnese in the Palazzo della Cancelleria. -- 18. Jacopo da Pontormo’s “Study of a Man’s Head” and Agnolo Bronzino’s “Study of a Man’s Head.” -- 19. Agnolo Bronzino’s “Study of a Left Leg and Drapery” and “Joseph Fleeing Potiphar’s Wife,” a tapestry designed by Bronzino. -- 20. Agnolo Bronzino’s “Seated Male Nude” and a fresco of The Martyrdom of St. Lawrence, San Lorenzo, Florence. -- 21. Girolamo Macchietti’s “Seated Boy” and Jacopo Ligozzi’s “A Janissary ‘of War’ with a Lion.” -- 22. Titian’s “Two Satyrs in a Landscape” and Domenico Campagnola’s “Deposition.” -- 23. Lorenzo Lotto’s “Head of a Bearded Man” and “St. Jerome.” -- 24. Francesco Parmigianino’s “Madonna of Saint Margaret” and “Bishop Saint in Prayer.” -- 25. Agostino Carracci’s “Bust-Length Portrait of a Woman (recto)” and Tanzio da Varallo’s “Study of an Angel.” -- 26. Domenichino’s “The Martyrdom of Saint Cecilia” and a fresco in the Polet Chapel in San Luigi dei Francesi, Rome. -- 27. Allessandro Algardi’s “Madonna and Child with Saints” and “Relief of Madonna and Child with Saints.” -- 28. Allessandro Algardi’s “Madonna and Child with Saints” and “The Prow of a Ship.” -- 29. Bernardino Strozzi’s “St. Anthony of Padua” and Pietro da Cortona’s “Landscape.” -- 30. Francesco Guardi’s “Capriccio with Roman Ruins” and Giovanni Battista Tiepolo’s “Head of a Young Man in Three-Quarter View.” -- 31. Giovanni Battista Piranesi’s “The Octagonal Room in the Small Baths at the Villa of Hadrian” and Pietro Longhi’s “Study of a Seated Woman.” -- 32. “Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3)” and unidentified page of the same, attributed to a member of the Sangallo family.
Speakers	Goldner, George R., 1943-
Format (Extent)	1 video file : digital, mp4 file
Publisher	Sterling and Francine Clark Art Institute
Date of Recording	November 2, 2008
Original Format	WMV
Language	English
Digital Format	MP4
Digital Reproduction Information	Coverted from WMV to MP4 January 21, 2008
Length of Recording	00:49:40
Material Type	Video
Rights	Restrictions on Access: This material is currently restricted
Biographical Data	George R. Goldner was head of the photo archives, curator of drawings, and curator of paintings at the Getty Museum from 1979 to 1993. In 1993 Goldner became chairman of the drawings and prints department at the Met and united the greater part of the museum’s varied and extensive collections of graphic art. He focuses on Italian Renaissance art and has written a number of catalogues and articles on the subject. At the Met he co-curated The Drawings of Filippino Lippi and His Circle (1997) and Correggio and Parmigianino: Master Draftsmen of the Renaissance (2001). He is planning a 2010 exhibition of Bronzino drawings.

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