Widdrington, William Widdrington, Baron, 1678-1743;Silverwork -- England -- London -- 18th century;Teapots -- England -- London -- 18th century;Teapot stands -- England -- London -- 18th century;Decorative arts -- England -- London -- 18th...
City: London
Marks: Fully marked on underside of teapot, lamp, and ring of stand: maker's mark CH, crown and fleur de lis above (Grimwade 321) date letter o for 1709/10 lion's head erased Britannia. Maker's mark and lion's head erased on...
Bigge, William;Bigge, Mary;Silverwork -- England -- London -- 18th century;Inkstands -- England -- London -- 18th century;Pounce pots -- England -- London -- 18th century;Pots -- England -- London -- 18th century;Inkwells -- England -- London --...
Pierre Platel and Paul de Lamerie
Marks: Fully marked in wells of stand and on undersides of inkpot and pounce pot: lion's head erased Britannia maker's mark PL crowned, fleur de lis below (Grimwade 2200) date letter q for 1711/12....
Silverwork -- England -- London -- 18th century;Coffeepots -- England -- London -- 18th century;Decorative arts -- England -- London -- 18th century
Marks: Fully marked on underside of body: maker's mark LA, crown and star above, fleur de lis below (unregistered third mark) lion's head erased date letter Q for 1731/32 Britannia. Lion's head erased on cover bezel
Silverwork -- England -- London -- 18th century;Inkstands -- England -- London -- 18th century;Inkwells -- England -- London -- 18th century;Inkpots -- England -- London -- 18th century. local;Pounce pots -- England -- London -- 18th century;Bells...
No maker's mark
Marks: Marked in wells of stand and on side of bell: date letter O for 1729/30 leopard's head lion passnt (twice on stand). Lion passant also on underside of stand. Lion passant on bodies of inkpot and pounce pot and on...
Silverwork -- England -- London -- 17th century;Glassware -- England -- London -- 17th century;Casters (Vessels) -- England -- London -- 17th century;Tableware -- England -- London -- 17th century;Decorative arts -- England -- London -- 17th...
Pierre Harache (free 1682)
City: London
Marks: Marked on each cover flange: maker's mark HA, crown and devices above, in shaped shield (Grimwade 936)
Gloss: One glass body is original, one replacement
Marks: Fully marked on rim of base: sovereign's head (incuse) date letter k for 1785/86 leopard's head lion passant maker's mark I.S in shaped surround (Grimwade #1670)....
Williams College. Graduate Program in the History of Art -- Newsletters; Williams College. Graduate Program in the History of Art -- Periodicals; Art -- History -- Study and teaching (Higher) -- Massachusetts -- Williamstown -- Periodicals;...
Graduate Newsletter, Williams College Graduate Program in the History of Art, offered in collaboration with the Clark Art Institute, Number 13, Fall 1988, contains the Annual Report 1987-88 / Samuel Y. Edgerton, Jr., Director and Class Notes
Sterling and Francine Clark Art Institute. Communications Department; Sterling and Francine Clark Art Institute. Sugaring Off: The Maple Sugar Paintings of Eastman Johnson; Sterling and Francine Clark Art Institute -- Exhibitions; Johnson, Eastman,...
Images and press materials for the Clark exhibition "Sugaring Off: The Maple Sugar Paintings of Eastman Johnson" held January 18-April 18, 2004.
Lamerie, Paul de, 1688-1751;Silverwork -- England -- London -- 18th century;Teakettles -- England -- London -- 18th century;Teakettles-on-stands -- England -- London -- 18th century;Decorative arts -- England -- London -- 18th century;Tableware --...
City: London
Marks: Fully marked on underside of body: maker's mark P L in script, crown above, pellet below (Grimwade 2204) date letter k for 1745/46 lion passant leopard's head. Fully marked on lower right of stand: leopard's head date...
Silverwork -- England -- 16th century;Drinking vessels -- England -- 16th century;Mazers -- England -- 16th century;Decorative arts -- England -- 16th century
In: Beth Carver Wees. English, Irish, and Scottish Silver at the Sterling and Francine Clark Art Institute. New York: Hudson Hills Press, 1997. (no. 1, p. 46, repr.)
Photography, American -- 19th century;Landscapes;Rivers;Nile River;Egypt
Remarks: The son of a prominent Boston banker, John Beasley Greene trained as an archaeologist and lived primarily in Paris, where he was a member of the Société Français de Photographie. He made his first trip to Egypt in 1853 at the age of 21....
Upholstered furniture -- New York (State) -- New York -- 19th century;Settees -- New York (State) -- New York -- 19th century;Sofas -- New York (State) -- New York -- 19th century;Decorative arts -- New York (State) -- New York -- 19th century
Attributed to Duncan Phyfe
Image/Metadata: Amico Library: 2002 ARTstor: 2006 CAMIO 2006;City: New York
Summer kimono / the color of blue sky... / morning pilgrimage (Exhibition : 2008)
Many decisions went into the commissioning of a new kimono. Fabrics and colors had to be chosen, generally based on the season and the age of the wearer. The selection of the overall motif was key to establishing the aesthetic statement the wearer...
Summer kimono / the color of blue sky... / morning pilgrimage (Exhibition : 2008)
Many decisions went into the commissioning of a new kimono. Fabrics and colors had to be chosen, generally based on the season and the age of the wearer. The selection of the overall motif was key to establishing the aesthetic statement the wearer...
