Prints, American -- 19th century;Washington Market (New York, N.Y.);Buildings;Trees;Hats;Markets;Christmas trees;Christmas;Night;Crowds;Baskets;Children
Prints, American -- 19th century; Washington (D.C.); United States Capitol (Washington, D.C.); Flags; Crowds; Spectators; Lincoln, Abraham, 1809-1865 -- Inauguration; African Americans; Community life; Men; Politics; Urban life; Women; Figures --...
After Winslow Homer
Curatorial inscription notes: Printed below: The Inauguration of Abraham Lincoln as President of the United States, at the Capitol, Washington, March 4, 1861.—[From a Drawing Made on the Spot.] Printed above: 168...
Lincoln, Abraham, 1809-1865 -- Inauguration; Prints, American -- 19th century; Washington (D.C.); United States Capitol (Washington, D.C.); Trees; Fences; People; Hats; Figures -- Female; Figures -- Male; Carriages; Horses; Soldiers; Rifles;...
After Winslow Homer
Curatorial inscription notes: Printed below: The Inaugural Procession at Washington Passing the Gate of the Capitol Grounds.—From a Sketch by Our Special Artist.--[See Page 165.] Printed above: Harper's Weekly./A...
Prints, American -- 19th century; Washington, Mount (N.H.); New England; Buildings; Winds; People; Figures -- Female; Figures -- Male; Hats; Sticks; Leisure; Men; Mountains; White Mountains (N.H. and Me.); Women
After Winslow Homer
Curatorial inscription notes: Signed lower right: WH Printed below: The Coolest Spot in New England—Summit of Mount Washington.—[Drawn by Winslow Homer.] Printed above: July 23, 1870.] Harper's Bazar. 473
Prints, American -- 19th century; Landscapes; Washington, Mount (N.H.); Mountains; Horses; Rocks; Animals; Leisure; White Mountains (N.H. and Me.); Women; Men; Figures -- Female; Figures -- Male
After Winslow Homer
Curatorial inscription notes: Signed lower right: WH. Printed below: The Summit of Mount Washington--Drawn by Winslow Homer,--[See Page 446.] Printed on left: 441 Harper's Weekly. July 10, 1869
Just What Was It That Made Yesterday's Art So Different, So Appealing? Early Pop (Exhibition : 2007)
Jim Dine designed the cover for this catalogue. Alan Solomon's essay brilliantly defines the aims and objectives of the new figurative artists. Despite the name of the exhibition, the word Pop is not used to define the art or artists. In addition...
This series contains the records of the Director's Office from 1955-1977. The series is primarily correspondence to and from the Director of the museum about a wide variety of the museum's concerns such as publicity, acquisitions, staff hiring,...
Sterling and Francine Clark Art Institute; Vanderbilt Mansion National Historic Site (Hyde Park, Dutchess County, N.Y.); Wadsworth Atheneum; Museum of Fine Arts, Boston; Metropolitan Museum of Art (New York, N.Y.); Cooper-Hewitt Museum; Pierpont...
This series contains the records of trips and events organized by the Office of Public Relations for members of the Friends of the Sterling and Francine Clark Art Institute.
Prints, American -- 19th century;Washington Market (New York, N.Y.);Thanksgiving Day;Interior spaces;Children;Figures -- Male;Figures -- Female;Markets;Vendors;Hats;Butchers;Turkeys;Meat
Prints, American -- 19th century; Boston (Mass.); Streets; Buildings; Carriages; Horses; People; Dogs; Figures -- Male; Figures -- Female; Organ grinders; Children; Hats; Animals; Community life; Men; Urban life; Women; Work; Massachusetts
After Winslow Homer
Curatorial inscription notes: Signed lower left: W H. lower right: Damoreau Printed below: Corner of Winter, Washington and Summer Streets, Boston. Printed above: M. M. Ballou, [Number [22, Winter Street]
