The papers and records of David Brooke, director of the Clark from 1977 to 1994, include business files and correspondence about the administration of the Sterling and Francine Clark Art Institute and also Brooke's personal research about Robert...
This series contains records such as general correspondence, loan requests, event planning, and attendance and sales statistics created by the Director's Office from 1980-1994. Also includes the April 2011 accrual transfered from the Director's...
American Red Cross; British Bloodstock Agency; Cooperstown Village Club & Library; Gardner, Mountain & Co.; M. Knoedler & Co.; Williams College; Sterling and Francine Clark Art Institute Ali, Hazrat, d. 1909; Astor, John Jay; Baker, Auval; Baxter,...
This series contains both incoming and outgoing correspondence and represents a wide spectrum of RSC’s financial, personal, and social life, as well as his interests in collecting art, horse breeding, and politics.
Berry Brothers; Durand-Ruel Galleries (New York, N.Y.); Williams College; New York State Historical Association; Robert Sterling Clark Foundation; Singer Sewing Machine Company Clark, Robert Sterling, 1877-1956; Faison, S. Lane (Samson Lane),...
These are the records assembled for the fiftieth anniversary of the Clark as well as the exhibition, "The Clark Brothers Collect." They're mainly concerned with the history of the Clark family.
This series contains records of the Prints and Drawings Department at the Sterling and Francine Clark Art Institute primarily from the former curators William Collins, William Ittman, and Rafael Fernandez.
Sterling and Francine Clark Art Institute Brooke, David S.; Hamilton, George Heard; Banks, Talcott Art museums; Art museums and community; Art museums -- Educational aspects; Art museums -- Employees; Art museums -- Exhibitions; Art museums --...
These records contain Director's Office files relating to each Trustees' meeting between 1966 and 1989.
Sterling and Francine Clark Art Institute Banks, Talcott; Brooke, David S.; De Rham, Casimir, 1924-; Cutter, R. Ammi (Richard Ammi), b. 1902; Goodwillie, Eugene W.; Guille, Peter; Hamilton, George Heard; Perry, Daniel, d. 2002; Guille, Peter Jr....
This series contains an assortment of programmatic records of the Sterling and Francine Clark Art Institute found in the Director's Vault.
This series contains the records of the Director's Office from 1955-1977. The series is primarily correspondence to and from the Director of the museum about a wide variety of the museum's concerns such as publicity, acquisitions, staff hiring,...
This series contains the papers of two curators of paintings, David Cass, curator from 1973-1985 Alexandra (Alixe) Murphy, curator from 1985-1988, as well as early records of the department from an unidentified source.
Lisa A. Jolin was the curatorial secretary from 1989-1997. These materials consist of other curatorial staff members' correspondence, records relating to several shows, and some employment records.
Brentano String Quartet; Fine Arts Quartet; Musicians from Marlboro; Lydian String Quartet; Solas (Musical group); Scholars (Musical group); Wayfaring Strangers (Musical group); Brave Old World (Musical group); Massachusetts Museum of Contemporary...
These records relate to events that have taken place at the Clark and were created by the employees responsible for public relations and communications.
Sterling and Francine Clark Art Institute; Boston Symphony Orchestra; Yale University. Associates in Fine Arts; Art Gallery of Toronto; American College Publicity Association; American Federation of Arts; Bay State Historical League; Williams...
These records contain Director's Office files relating to receptions, lectures, parties, and other events held at the Clark Art Institute between 1957 and 1989.
Williams College. Museum of Art; Sterling and Francine Clark Art Institute Faison, S. Lane (Samson Lane), 1907-2006; Weston, Karl Ephraim, b. 1874; Brooke, David S. Silver--Exhibitions; Silver--Collections (Public)--Williamstown
This letter from Karl Weston to Lane Faison describes the first exhibition at the Sterling and Francine Clark Art Institute.
